Janette Beckmans snapshots of musical subcultures

From mods to hip-hop, the photographer documented Britains musical subcultures of the 70s and 80s

You could be chubby, a few teeth missing, a funny haircut it didnt matter. The best thing about punk? It was inclusive. You just had to have character and attitude. That made those pictures.

But so did Janette Beckman, a Londoner working for the Melody Maker from 1977 to 1982, whose rapport with her subjects created some of the eras most striking images of youth subcultures including others that showed a similar DIY spirit to punk, through the mod revival, ska and early hip-hop.

Next weekend, some of these portraits are being shown at the Photographers Gallery in London at their three-day Punk Weekender, alongside work by Anita Corbin, Owen Harvey, Derek Ridgers and Gavin Watson. They show ordinary people transformed, popular culture reborn.

Now a documentary photographer who has been based in New York for more than three decades, Beckman didnt fit the mould of a classic rock snapper, she says, with a laugh. I was a typical ex-art-school kid, going to work in a baggy T-shirt and pyjama bottoms. Oh, hello Janette, the boys in their leather would go, Not getting dressed today, are we? She was deputy to Tom Sheehan, who would be packed off on tours with the likes of Led Zeppelin; she was thrown unsigned artists. Id be totally happy. I liked photographing the fans just as much even more maybe. Most of them would be in a band by the next week. It was such an energetic time.

Beckmans work flourished, she thinks, because she had freedom. Without art direction, she got her shots partly because of how unstarry she was. Im a woman, quite chatty, not very aggressive. People were really happy to be photographed back then, as it didnt happen very often. She thinks selfie culture has changed the way people pose beyond measure (I never posed my subjects, they just looked that good!), and that the internet has stifled creativity in some ways (although its also fuelled hers in others: her blog is an interesting read). Its so easy to go online to see how youre meant to look now. I think of how amazing Lily Allen looked when she started out, and how quickly she looked like everyone else. Back then, it wasnt about trends. Style was part of your character.

Subcultures have been Beckmans thing ever since. Her work was a vital part of the visual identity of The Face in its early years, while her obsession with hip-hop prompted her move to New York in 1982 (she is now New York editor of style journal Jocks&Nerds).

Back then, culture took a while to percolate and marinate, she says. It was good for it, as was the fact that you had to do much more when you were taking a picture. Going to a darkroom, making a print, engaging with people Her attitude and character remain alight, and you sense they always will be. All that taught me how to see.

Mods, Streatham, 1976

This was round the back of Chestnut Lodge Youth Club in Streatham, where I taught photography not long after I left art school. These students would come every evening dressed like that mod to the core, so immaculate, even if they were wearing one of their dads suits. I never got anyone to pose, either. They just looked that cool!

Boy, Kings Road, London, 1979

This was when Kings Road was the place. Id go there on Saturdays and just walk up and down with my camera. I saw these kids outside Boy, and just loved the whole aesthetic: the window of stuff, them with their stuff. I also put this picture on my Facebook feed recently and one of the kids in it got in touch! I follow him now hes far from a kid, but hes still causing havoc, which is kind of amazing.

Punks at Sid Viciouss Memorial March, London, 1979

I found this on an old contact sheet recently I hadnt seen it for years. This was at the back of Victoria station, where a load of punks started a march to Hyde Park after Sid died. There was real sadness in their faces, black armbands on their arms and Belsen Was A Gas on the back of their jackets. Its easy to forget how contentious and rebellious punks were. There were as many cops at that march as punks!

Ska Girls, Coventry, 1980

Id got to this outdoor festival really early, and there were these brilliant girls, just hanging out on a bench, chatting. They were dressed immaculately: the Fred Perry shirts, the suspenders, the shoes. I remember them asking me, What should we do? and me replying, Do what you want! They did the Madness pose unprompted, and they were obviously having such a great time. Im not Annie Leibovitz with 20 assistants; its just me and my camera. These girls just became themselves.

The Islington Twins, London, 1981

This was in the first or second issue of The Face. I was walking to get lunch one day in Clerkenwell, and I just saw these amazing identical twins, standing by some toilets. We got talking and I found out they lived near me they used to entertain people outside Highbury & Islington station with a boombox, too. I saw them again a few years ago, and they still look amazing. Theres grey in their hair, but they still dress identically.

Grandmixer DST, London, 1982

<

figcaption class=”caption” caption–img caption caption–img” itemprop=”description”> Hip-hop was the last big subculture: Grandmixer DST, London, 1982. Photograph: Janette Beckman

This was at the first hip-hop show ever to be held in London. Id gone along from the Melody Maker as Id heard about the music and was really intrigued by it. That day changed my life. These people looked so amazing and different the breakdancers, the Double Dutch girls, the rappers, the turntables, people like Grandmixer DST hip-hop was the last big subculture, really. Then MTV did its work. This was from the ground up.

Punk Weekender is at the Photographers Gallery, London W1, from 23-26 June

Read more: https://www.theguardian.com/artanddesign/2016/jun/19/janette-beckman-punk-photos-photographers-gallery